“Death and the Woman,” which features a young wife sitting up alone with her husband on her deathbed, is a prime example “A Tragedy,” featuring a woman who wakes up after being rejected by a suitor to find that things have changed a great deal, is another.ĭespite voicing opinions that would align her with materialists, Atherton was fond of using spiritualism as a starting place for supernatural stories. A great deal of her supernatural horror is psychological, more akin to Bierce than James in its simplicity. Atherton was on friendly terms with both Ambrose Bierce and Henry James (to whom Bell was dedicated), and it shows. Two Joshi says were previously uncollected five come from her 1905 collection The Bell in the Fog (which includes five non-supernatural stories as well). Sebald Beham (1500-1550) tackled it at least twice, once chastely. “Death and the Woman” is also a common artistic motif.
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